Editor's Note 1: The following is an essay adapted from a lecture delivered in March 2011 on Trinity International University’s Deerfield campus in conjunction with the Drama Department’s spring performance of Aldous Huxley’s Brave New World, a play by David Rogers.
Editor's Note 2: The essay has been divided into two parts and originally appeared in the Spring and Summer 2011 issues of Dignitas. This article appeared in the Volume 18, Number 2, Summer 2011 issue of Dignitas, the Center’s quarterly publication.
